The Last Night on the Ghan

Wednesday February 2nd, 2000 @ 8:45 PM

Filed under: Everything, Tales Told Well

(Many will find the following tale far-fetched. That’s O.K. with me, as long as you enjoy it and learn from it. However, the story is as true as I can remember it, given my long removal from the details. I have a couple of composite passages, and I’m not sure if some names are quite right, but the essence of what happened is certainly there and I tried not to add or subtract from events as I remember them. I know it is long, but I think you’ll find it worthwhile. Carl)

Mr. Shag had an elbow like the railroad couplings holding together the train that crossed the desert vastness of Australia that night. Framed in the window behind his beastly head was what remained of a red sun still boiling below the horizon. The elbow was planted heavy on the table and joined together the fore and upper parts of an arm wrenched and twisted from a lifetime of bending iron. It looked like a swamp log. His dark eyes limned into view over the great fist. A voice crawled out from somewhere within his dense beard, “If I win mate, you know what you got to do?”

I nodded and asked with a tremor, “If I win, will you keep your word?”

The English dwarf beat him to the answer, “A course he be keepin’ ‘is word, arsehole, he can give it freely. Nobody ever beat ‘im. And you ain’t to be the first and I’ll wager you or any man.”

No one took the wager. I placed my arm on the table, measured it against his, then took it back. I placed a Gideon Bible beneath my elbow and still I came up short, but it would have to do. As we gripped each others hands and leaned in I could smell the Yukon Jack and Tabasco juice that sloshed in his tremendous belly. He grinned with clean, fine, teeth belying his ogreish appearance. I felt panic shiver through me as my hand felt the crush of his bulging knuckles. My God Almighty how I wanted to win!

The train jostled back and forth as only a glow remained of the sun, and silhouettes of shrub trees passed quietly by the moving windows. The interior of the lounge car became suddenly quiet. The eyes of all the onlookers focused intensely on the knotted hands. I took several rapid breaths and tensed every muscle I could consciously command. I could see the tattoo of a Harley chopper behind the strings of hair that covered his forehead. It glistened in sweat.

The dwarf stood on a chair and held our hands. I was surprised to notice that he had long and well-shaped fingers attached to his diminutive arms. The wee referee puffed a thick cigar and the smoke hung in my face. Then suddenly my fear was replaced with focus and I had never felt more ready in my life. The dwarf lifted his hands and the car erupted in shouts.

I leaned into my vibrating arm with my entire 225 lbs. and the vessels of my right eye seemed to burst. I could actually hear the torque of the straining biceps tendons. Blood shot from my nose and unto our grip and down the arm of the giant. I could see the veins of his neck gorge with pressure and his mouth turned down at the corners and a husky gasp broke from his lungs. The din was earsplitting now, and for the first time money began to pass and I knew I had a chance. Despite the flood of adrenaline I could feel pain wrack my arm and shoot into my chest and lungs. Even my calves began to cramp. I heard a macabre moan come out of my body, but I could not control it. I could smell the breath of a dozen men screaming in close quarters and flecks of spit landed everywhere.

It is a tale that would end in tragedy. As I look back on it now after thirteen years, the faces of that last night on the Ghan, have faded in my memory. Except for Mr. Shag and the lady with whom he would fall in love for one memorable evening.

The Ghan runs from Adelaide on the south coast of Australia, approximately 1500 miles to Alice Springs, which is in the center of the continent, near the famous Ayers Rock, which serves the country as a hub of sorts. The Ghan was so named for the Afghans who brought their camels to the great interior desert and built the railroad when no one else could. It is a land of red dirt that sports a time zone on the half-hour contrary to the rest of the globe. That year Alice Springs was hosting a dwarf-tossing contest and Mr. Shag brought his own dwarf, Ebenezer Tittes, affectionately dubbed “Little Tits” by his fellows.

Little Tits was not a nice dwarf. He was mean as a badger and always cranky. He cursed in every sentence and was given to kicking people in the Achilles tendon. I didn’t like him then, and I’m sure I wouldn’t like him now. He was to be the best man at Mr. Shag’s wedding. The wedding was slated for Saturday, the dwarf-throwing contest for Sunday. After Mr. Shag won the contest he planned to bike up to Darwin with his bride and his winnings and his motorcycle gang, which accompanied him on the Ghan. He couldn’t have guessed that he would find a new love on the train. It was I who introduced them.

It begin when a two-year old girl toddled by me in the dining car and stopped to stare. Having raised three such darlings myself, I immediately became nostalgic and set the petite cutie on my lap. Of course all such angels have guardian mothers and this one snatched the babe from my grasp and gave me a look of astonishment. “How did you get here,” she exclaimed to the child. “Mama has been looking everywhere. You’re to scare me to death…”

The mom was an attractive girl of twenty-two or so, wearing no ring, and with eyelashes that could dust a doily. I invited her and the little one to my table. Recovering her composure, she asked if the child’s grandmother could join us as well. “Of course” I replied, not wanting an elder’s interference, but knowing there was only one answer to the question.

The Grandma was a handsome woman about my age and showed up in arm with her own mother. The great-grandma was protesting that she was worried about her mother being left alone in the Pullman. “Five generations” I marveled out loud as I pulled out their chairs. “No six.” Replied the first mother, my great, great, great, grandma is going to be one hundred on Tuesday, and she’s taking all of us and her bridge club to Alice Springs for her birthday.

“Why Alice Springs,” I asked.

“Because she wants to be buried there and she plans to die on Tuesday.”

“Why?”

“Because she set a goal as a young girl to live to be a hundred and she will be a hundred on Tuesday, and she’s made up her mind to die. She’s been riding the Ghan up to visit her husband’s grave site for years and this will be her last night on the Ghan. She intends for it to be a good one.”

I found the family to be delightful company, and afterwards was introduced to the queen grandmother. She and her daughter nestled in the Pullman compartment like kittens drawn by a Walt Disney cartoonist. To my astonishment, they still possessed marvelous hair, braided into pigtails, and tied with broad colorful ribbons.

They beamed up at me, delighted that a tall young man such as myself would come to visit. I was immediately charmed by the elder, named Millie, and determined to help make her last night on the Ghan a rewarding one.

“Ladies,” I announced with the boldness of a drill sergeant. “I want to invite you all to the piano bar where I just recently was singing all by myself, accompanied by as versatile a pianist as I have ever personally witnessed. He knows every song you can imagine and can improvise anything. I even had him playing the blues.”

Millie was ever so happy with this invitation and immediately rounded up her bridge club, which consisted of five old ladies in various states of decrepitude. None was as vibrant and vivacious as Millie. Feeling full of self-congratulatory exuberance, I marched off through the railroad cars leading my troop of ancient ladies and Millie’s descendants.

We passed through the lounge just before entering the car containing the piano bar and endured smirks and derision from the gang of bikers playing poker and drinking beer. The dwarf yelled at us, “Are you taking them to slaughter, mate?”

We ignored the gang and settled about the couches surrounding the piano. The car was clean, quiet, and empty when we entered. The pianist was appropriately named “Skinny” and he grinned broadly at his new audience. We sang: “You are my sunshine, Merry Oldsmobile, She’ll be comin’ around the Mountain, Darlin’ Clementine, and some Aussie songs I wasn’t familiar with about Wallabies and Billibongs and the like. We all pretended like we were having great fun, but the ladies weren’t singing very loud and one of them was asleep.

Finally, Millie cried out, “What we need is some booze and some men.” After the shock wore off and much discussion had taken place, it was decided by unanimous vote that I should go next door and invite the biker gang over for a party. By process of elimination, they were the only candidates available on the train.

My proposal to the gang was met with such laughter that more than one man began to gag from it. They all wiped tears and when it would almost subside, somebody would burst out anew and the whole gang would be back in a state of hysteria. I shuffled and rubbed my hands together and felt my face flush a number of times. The dwarf, Little Tits, didn’t laugh. “I vote we should kick his arse,” he announced, and the laughter died out.

I was crestfallen and embarrassed, but I made one more appeal, “The guy plays blues,” I pointed out, appealing to their rough masculinity. “You wouldn’t have to sing old ladies songs.” Little Tits threw his cigar butt at me and ordered me to leave and threatened again to, “…kick my arse…”

The folly of his threat started the whole outfit laughing again, but this time it was mean: sniggers and chortles and such. I raised my eyes and looked at Mr. Shag who was studying me intensely. “How bad you want us to sing with the old lassies, mate?”

“She’s gonna be a hundred on Tuesday,” I explained. “She’s going to Alice Springs to be buried by her husband. It wouldn’t be so bad…” my voice trailed off into a silent shrug of the shoulders and I awaited my fate.

“Tell you what, laddie,” said Mr. Shag, who hailed from Scotland and Ireland, before coming to Australia to blacksmith in the outback. “We’ll all come a singin’ if you can beat me at arm wrestling.” A collective complaint went up from the gang, then the dwarf waved his arms and hushed the complainers, “You fuckin’ idiots,” he said, “You know nobody can beat Mr. Shag, what the hell ya’ thinkin’?” Then he looked at Mr. Shag and asked, “If he loses, the penalty is to hold him for me while I kick ‘is arse.”

Mr. Shag looked at me for agreement to terms. He had befriended Little Tits somewhere in Europe long before coming to Australia and enjoyed the mischief the dwarf liked to stir up. I focused on Mr. Shag, who I figured to be about six five and in the realm of 350 pounds and covered with hair. Although his hair was raven black, his beard was red like a brick. I had no doubt that he was brutish in his strength.

I was an experienced arm wrestler and knew several tricks. I was in the prime of life and in great shape, sober as a judge, and getting angry. Still the thought of having my “arse” kicked by a dwarf in front of this band of jacklegs had me seriously worried. Mr. Shag also added that after my whipping, I had to stay and play cards with them all night so they could win my money as well. But waiting in the other room were the sweetest little old ladies in Australia and I could sense serendipity hanging in the atmosphere like the smell of fresh baked apple pie. I agreed to terms.

I tasted the blood from my nose and felt his grip tighten as his eyes sparkled in the thrill of battle. He took a deep breath and roared into the smoky air. I surged against his massive arm and dove deep into black concentration. I no longer knew where my arm was. His roar broke of a sudden and he yanked his arm loose grimacing in pain and holding his elbow.

Again, the room went completely quiet. Everyone stared at Mr. Shag and waited. “You lost,” I quietly pointed out. Everyone looked at me, then back at Mr. Shag. “Shuddup you cheatin’ prick,” ordered the dwarf. “Mr. Shag tore something in ‘is arm, the bet is off.”

“I won fair and square, injury or not,” I asserted. “Mr. Shag, are you a man of your word?”

His gang didn’t seem to be taking my point of view and I received some threatening looks–the way a cat looks at a bird that just shit in his food tray. Little Tits walked over and kicked me in the Achilles tendon. I can’t describe how badly that dwarf irritated me. I turned on him and the gang moved in and grabbed my shirt.

“Let ‘im go laddies,” said Mr. Shag. “He’s right ya’ know? We’ll be goin’ to sing with the old lassies. Buy up some beer and wine and whiskey and let’s be doin’ what we promised.” He rubbed his sore elbow and bit his lip. “A man ain’t for nothin’ if he goes back on ‘is word.”

Well, they didn’t like it, not one little bit, and Little Tits refused to go at all and marched off to the bar. Mr. Shag went over and snatched the dwarf with one great paw and hauled him off the way a man carries a bucket.

So there we sat: old ladies on one side of the piano and bikers on the other, with Little Tits pouting in the corner. It was quiet. Mr. Shag sat in the middle next to Millie and it was a sight to see. She stared up at him like he was a mountain. He peered down at her like a dog discovering a bug. The air was tense.

“So let’s get her going mates,” Skinny blurted out. “With a few rounds of Row, row, row your boat.”

“Fuck off, dork,” ordered one of the gang.

“What about Mannish Boy?” I asked. “It’s an old Muddy Waters blues. We can make up verses. I’ll go first,” I suggested.

“Duh, duh, duh, duh, duh, dunt,” said the piano, and I started singing, “I once met a dwarf while riding a train, his head contained horseshit instead of a brain, ‘duh, duh, duh, duh, duh, dunt’, I met his mama and asked what ever did happen, he stuck his head up a horses arse when it was crappin’.

When the laughing stopped and Little Tits was calmned down, Mr. Shag enthusiastically joined in with a booming voice, not in key, but booming nonetheless: “When I was a young man, not yet twenty-one, I shoed wild horses for money and fun, I come to Australia to get a new start, I left behind Ireland, bullet in me heart”

“It’s true,” said Little Tits from his corner. “Mr. Shag has a bullet in his heart. The doctors won’t operate for fear of killin’ ‘im, I say. If the bullet didn’t get ‘im, nothin’ will.”

We talked about the bullet awhile, then the song started back up, this time with Millie, who had been drinking from a bottle of White wine. “When I was a young girl, not yet twenty-one, I smiled at the boys but turned down my thumb, Now I’m an old gal, my breasts are all saggy, but I could go through these bikers and still do Mr. Shaggy”

That’s all it took. The night leapt into the twilight zone. Within a couple of hours everyone was drunk and singing arm in arm. Old ladies sat on the laps of hardass bikers and then the dancing began. Mr. Shag did the Shoddish with Millie and tenderly moved her about while waving off anyone who came near her. He was so aware of her fragile old bones. He took tiny steps to match hers and therein a 350-lb. man became cute as a child.

Somewhere in the early morning hours the grumpy dwarf mooned everyone from atop the piano, hoping to scare the old ladies and ruin the party. Instead, they were absolutely delighted at his tiny derrire and began to pat it and giggle, saying “Isn’t that just the cutest little butt you ever did see?”

Mr. Shag and Millie hit it off like the oddest version of Ginger Rogers and Fred Astaire that one could imagine. She repeatedly sat on his knee and fed him cookies that she had baked for her great, great, great, grandkids who lived in Alice Springs. He finally resorted to lifting her up when they danced and he waltzed around the room to the music. He wouldn’t let anyone else dance with her. He was afraid they’d accidentally hurt her. I heard him say, “Miss Millie, If you just wouldn’t die on Tuesday, I’d marry you instead of me betrothed.” She said, “If I’d known you was going to come a courting, I’d have waited eighty years to be born.”

When the sun shot a beam across the flat red earth and pierced the windows to the east, everything stopped inside the piano bar. It was an unspoken sign that the last night on the Ghan was at its denouement. The first mom and her little girl had long since retired. I looked around the room. Bottles and potato chips were strewn about the floor. An attendant, bright eyed from a fresh nights sleep, was picking things up. Most of the bridge club had fallen asleep, a couple of them in the laps of the biker gang members. Somewhere in the night, Mr. Shag had tossed Little Tits into a corner and he had passed out. He looked so tiny in the morning light.

Skinny had passed out around four A.M. and later recovered enough to go to his quarters. One of the bikers took over the piano and it was bad, but no one cared. Two of the gang joined in with harmonicas in two different keys. I had spent my time with the my-age mom who was a widow and quite fun. She promised to write.

Mr. Shag made Millie promise to come to his wedding. She made him promise to come to her funeral. They shook hands and kissed cheeks. He walked her to her bedroom and patted her head as he said good-bye. She put her head affectionately on his tummy and beamed up at him once again before waddling into her room. “You’re a good man, Mr. Shag,” she whispered. “I hope your wife will feed you the way I would if I was her.”

I stood at the next door with the my-age mother and watched Mr. Shag cry like a baby. Sure he was drunk, but he was a sentimental rascal as well. Everybody loved him that last night on the Ghan, but most of all Millie.

I was sitting at an outdoor restaurant in Alice Springs, writing in my journal the things you have just read, when Mr. Shag barged in with a grin, “Ah, there ya’ be, me laddie, I was meaning to find ya’ now.” We were alone but for one tourist and the waiter.

“I’ll miss you, Mr. Shag,” I said. “Why do they call you Mr. Shag, anyway?”

“Back when I just went by me nickname of Shaggy, (due to me haircut and beard) I was introduced to a nose-in-the-air gentlemen who was announced to me as “Doctor Wellburton.” I looked about at those in attendance and stood up tall, lifted my nose, and said, “How do you do Doctor Wellburton, I’m Mister Shag” I got a good laugh and the name stuck.

We made some small talk and then he smiled at me and said, “Carl, me boy, I got me pride. We got something to settle.” Nervously, I began to shake my head. He pointed at my arm and said, “There’s no bet this time, it’s just between us.” I groaned at the thought. “Hell, Mr. Shag, I’ll just forfeit. The concept of tangling with that big arm of yours makes me want to throw up.”

There it was again: that swamp log of an arm, standing at attention on my table ready to rumble. I reached deep inside and mustered my competitive juices. He had pulled something before, maybe it would re-injure and I could get away without too much stress and pain. We spent a couple of minutes securing the grip we wanted and then with a nod we attacked with mutual fury. I could hear the awful sound of torqued tendons again, but to my amazement my arm was slammed to the table like it had broken off at the shoulder. The contest hadn’t lasted two seconds. Mr. Shag held my arm down for effect and stared into my eyes. “You’re a good man, Carl, you did a fine thing last night.”

Puzzled still, I looked down at my arm in dismay, then back up at Mr. Shag.
As I stared at this crazy character I could feel the immense power in his body until he released my hand. I knew that there was never a chance that I could have beaten him. He knew what I was thinking. A slight smile formed on his mouth, and he winked at me, “I wanted to sing with the old lassies, but I had to find a way to save face with me laddies.” He patted my limp arm and said, “But like I said, I got me pride.”

Weeks later, back in the United States, I received a letter from the my-age mom. The letter, along with some other journal entries, was stolen from our Blinddog Van in 1995 in Oklahoma City. I will paraphrase its contents for you and I’m sure my memory won’t be too far off the mark.

Dear Carl,

My great, great grandmother Millie did attend the wedding of Mr. Shag that Saturday. It was at a small lake and he took his bride and preacher out in a rowboat near sunset. The gang, Millie, and others stood on the shore and watched. It was very romantic as the sun glistened across the still water.

Mr. Shag was drunk as was his bride. They stood up in the boat to take their vows and lost their balance. Mr. Shags great weight capsized the boat. His bride could not swim. Neither could the preacher, but he managed to dog-paddle back to shore. The wedding couple was wearing their riding leathers and Mr. Shag had a Harley chain around his waist as well. He struggled mightily in the water to save his bride. He did, but the effort on his bullet bearing heart was too much and it quit beating right there in the water. We could all see that something had gone very wrong. He collapsed and when they pulled him to shore he was dead.

Everyone was gathered about trying to revive him. Millie knew she could not get to him and she just turned and walked over to me and put her head on my breast and sobbed quietly. She didn’t die on that Tuesday, instead she attended the funeral of Mr. Shag who was buried on a ranch sitting on his motorcycle. I know it sounds fantastic, but it is true. The grave was enormous and was plowed out with a dozer. Everyone in attendance threw momentos and sentiments in the great hole. Millie wrote him a poem and threw in a bag of cookies. We humans can do silly things at funerals, but somehow it made a weird sort of sense, I guess.

Millie flew back to Adelaide. She is so very healthy. Who knows how long she will live. She vowed, however, never to take the railroad again. That was her last night on the Gahn.

I felt as though a great light had gone out or a grand tree had been uprooted–such a life force was Mr. Shag. I learned that it doesn’t matter how old you are, or how healthy, you never know which ride will be your last night on the Ghan. We always think there are many days to live and to love and to fulfill our dreams, yet you just never know. It behooves us to make our days count and to give what we have to give to this world.

The matrix that allowed the whole episode to take place was music. Music drew the diverse souls with its call. It provided a common ground for the strangest of gatherings, and does every single day of our lives. It makes people share feelings and emotions and fantastic thoughts together. It crosses all boundaries and races and ages. There is quite simply nothing like it to quickly bond disparate mankind.

I think of the last night on the Ghan often in my life, especially when Blinddog Smokin’ comes to perform. Whether for a new audience of strangers, or old friends and fans whom we have come to love. “Play with your might,” I think to myself. “Give the people your energy, your talent, your affection. Take them somewhere above and beyond the mundane. Let them exhilarate. Let them feel it together. Make a memory. Do it tonight, because for someone in the band or the audience, it may be the final show.”

I think of Mr. Shag in his huge grave, a grinning skeleton riding his Harley, the mighty arm bones that pinned me to the table, still grasping the bike handles. I have always felt that I owed him something for what he did to help me and the old ones with that clever sacrificial move of his. So here is what I did. I went back to my journal and resurrected his story, and now tonight, for 372 subscribers from all states and many countries, I allowed him to live out in your minds, his last night on the Ghan.

Posted by Carl

What’s in a Name?

Sunday December 26th, 1999 @ 8:44 PM

Filed under: Everything, Tales Told Well

I’m going to start off the New Year by changing the name of Carlzharptalk. I began the harptalk a little over a year ago with one member on my list: Chris Vincent, then of New Jersey, now of New Orleans. Chris is a blues man with a voice that just knocks me out. You can listen to it by going to www.iuma.com and looking in the blues category for him. He is nominated for the New Orleans newcomer of the year in the music scene down there.

As of today, there are 337 subscribers to Carlzharptalk and my surveys tell me that each subscription has a readership average of 2.5 because many of you print out and pass it on to friends and fans without computers. The harptalk is also regularly published in several blues newsletters and other publications, so who knows how many get hold of it time to time.

To put it in humble perspective, our local Laramie, Wyoming newspaper, goes out to ten thousand subscribers and a total readership of around twenty-five thousand. So, any cub reporter at our local paper has at least twenty-five times the readership that I do. However, do to the worldwide nature of the web, I do get read in all fifty states and many countries, some of the latter I didn’t even know existed before I started getting e-mail from them. All in all, it is a rewarding and gratifying project, and I enjoy writing to you all very much.

In this past year, the most circulated harptalk was “Yondering”, which was picked up and reprinted by a number of publications and even went through the state department in Montana. I received the most feedback by far, on an article called “The Slaying of a Doppelganger.” I still get e-mail on that one. The most people dropped off the list after a piece called “A moment in the Sun”, about sit-ins. The general comment was: “If you can’t say anything good about people, don’t say anything…” I assume these were people who were guilty of the sit-in sins I listed. I received the kindest and dearest e-mails after a harptalk carrying the abysmal title of “letter #4″ which was about the late Clara Smith and an adoring fan.

Andy “Maddog” Miller received fan mail and sympathy mail from well over half of the entire list while he was in the hospital. It did a lot to accelerate his recovery. He remains humbled and amazed at the amount of mail and encouragement he received.

My new year’s resolution for Carlzharptalk is to reach one thousand subscribers by 2001 in a minimum of 100 countries. It is interesting to note that as the list grows, the percentage of readers who have never listened to Blinddog Smokin’ increases.

Now, why the name change? I get a lot of e-mail from harp players who sign up expecting to get tips on how to play the harmonica. They are very disappointed by my storytelling style. They not only drop off, but usually fire an angry letter at me for misleading them. Perhaps they have a point. I originally entitled the newsletter, Carlzharptalk, because I intended to send it mostly to harp players I knew, and musicians who could appreciate the general lessons. It evolved into something else. Something much better I think.

It is sad that a harp player doesn’t think he can learn anything from these articles, but unfortunately, too many wannabee musicians think all there is to the music business is learning technique on an instrument. In reality, that is only the ante that let’s you in the game. The heart and soul of that game is the stuff of which I write.

So I think from now on, my musical essays and wanderings shall be called, “Tales Told Well.” Most of my contributions end up being a Tale of one kind or another, mostly from my experiences and observations in life. I am claiming to tell them well, because I so admire good and honest storytelling, and I so dislike poor storytelling and prevarication passed off as true adventure.

I come from a family of storytellers. My brother, David, is one of the best. He teaches third graders in Nevada. One day the principal came by and found my brother lying on his back on the classroom floor pointing at the ceiling. All his kids were following his example. Shocked, the principal entered the room and asked what was going on. My brother put his finger to his lips and shushed the principal. “We are in writing class.” He whispered. “And right now we’re learning to write about things first person from the perspective of an ant…”

That just beats a boring textbook lesson all to hell in my opinion, and Fallon, Nevada, is probably going to produce some good storytellers in years to come. Of course the kids love that kind of instruction, as do the parents, but as you might guess, my brother is not too popular with the textbook type teachers who work around him.

My first entry for next years “Tales Told Well” involves a six generation family, a gaggle of old ladies, me, a dwarf, and a gang of Australian bikers, all on a train in the outback. It is entitled: “The Last Night on the Ghan”, and it will demonstrate that if love is the universal language, then music is its voice.

Look for Blinddog Smokin’s new CD soon. We finished recording and mixing in Denver last week. It has ten original songs and a cover of James Peterson’s “Who Shot John”. I believe it to be our best effort so far, but you be the judge. Andy showed up at the mixing, wobbling around on a cane, so he is improving. He still doesn’t look very strong, but it’s much better than lying on his back all day and night.

Blinddog Smokin’ is back in their tour bus and might be coming to your town this new year, and we hope to find you all well and happy.

Posted by Carl

Maddog Report and Blinddog Potpourri

Wednesday December 1st, 1999 @ 8:43 PM

Filed under: Everything, Tales Told Well

We had the pleasure of a visit from Maddog Miller at one of our recent gigs. He attended one set with his mother and sister who assisted him. He was on crutches and looked thin and anemic, but seeing him actually out and about was quite a surprise and certainly good news. He still cannot bear weight on his hips and won’t be road-worthy for a couple of months, but his progress is much better than we anticipated.

He told us stories of being turned in the hospital bed by unskilled and unsympathetic nurses who would do things like turn him for his rehab, then five minutes later come in and say they forgot to change the sheets, and turn him again. The pain was excruciating as you might imagine. Doctors peeked in and asked how he was, and before he could answer, they’d be gone, leaving behind a $90 billing for having said hello. He did have some good guys around, like the physical therapists who he admired for their skill, patience, and understanding.

Andy now faces boredom and slow mending of his many broken bones. He will, however, fully recover, we are almost certain. The margins between life and death became evident as facts came in concerning the accident. Had it been a couple of degrees colder, he would have frozen or died of hypothermia, lying exposed as long as he did. Had it been any warmer, the bleeding in his head would have caused swelling inside his skull and the damage would have been severe, even to the point of death. Had he worn his seatbelt, which I’ve seen him do many times, he’d be dead. Had he lit just a hair over this way or that his back would have been damaged far worse, etc.

When you put all the factors together, he is very lucky to be alive. What he does have to live with is no vehicle, no job, and thirty-thousand dollars of hospital debt. They never found the hit and run driver who abandoned the U-haul after running Andy down and leaving him for dead alongside the road, and of course, U-haul is balking at coming through with any money. I believe they will have to eventually, but the sweet gal who rents you the truck, and the smiling insurance man who sells people their policies are not present on this end of the deal.

Instead you have lawyers, knucklebreakers, and callused investigators, who make their living by making sure their company doesn’t have to pay. It’s loophole city.

In the meantime Blinddog has employed two bass players who take turns touring with us as their schedules allow. We haven’t been able to play many of our originals or arranged pieces, but going over some of the oldies but goodies has been fun and good for a change of pace. We can’t be as tight and polished as normal, but we are learning how to fake it really well.

*************************************************************

Our bus is still down. We are hating life without it as the Ford Van is falling apart and sounds like a WWII tank with damaged treads. The Van has poor shocks and pounds us over the miles like a Wagnerian Opera Soprano turned masseuse.

The bus seems to have rare requirements in its differential. We have inquired all over the country and finally found someone in Tulsa, Oklahoma, of all places, who has a collection of gears for our type of ride. You can bet we’ll be paying that guy a visit next time we are in Tulsa. He’ll be our new best friend.

Part of the reason we bought the bus was for our image. It is just so cool to cruise into your town in a colorful tour bus. People stand by and watch to see who gets out. We can make dramatic exits and stand around looking important afterward. But arriving in a fading bronze van with a plastic camping bubble on top, sounding like we were starting a civil war cannon battle, and bouncing to a halt with our muffler hanging down like a well wrung chicken’s head, is just not cool. If that weren’t bad enough, the inside gets filled with carbon monoxide and we step out cross-eyed like we’d been sucking campfire smoke from a police marijuana burning.

We hate to spend the money on the van when the bus bill is forthcoming, but–such is life on the road with a blues band.

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Good news for those who feel obligated to read the harptalk, but who don’t like essays, I’ll finish off today’s message with a top ten, blues world, pet peeve list. It is longer than you like, but it ought to be fun.

Peeve # 10: Drunken, male, water pump sytle, hand shaker’s. Why won’t these guys let go? I think they are trying to demonstrate appreciation, enthusiasm, and male bonding all in one great flapping, zig zagging, gyrating, out of synch, stupid looking, gooney bird flop, that rips the ball and socket joints apart and makes me want to amputate the dumb bastard at the shoulder. I think my solution is going to be working out with a hand grip so I can squeeze this grinning and drooling dolt until he either stops pumping or pees his pants.

Peeve #9: Drunken female hand clasper’s in yo’ face. This is the ladies counterpart to #10 and they get equal rights in my vilification. I know they are trying to express sincerity as they gaze at me with whirligig eyeballs that they are fighting to keep from tilting in opposite directions. Why won’t these ladies blink? The worst part is being able to smell fermenting alcohol on their stomachs as they talk to me close up in sentences that seem to use only the letter H: “Hello, Honey…I’m Heather, from Houston, Hail to you Handsome Hunk from Hhhhhhhhheaven…

Peeve #8: Dancing idiots who direct the band. These are the folks who think the band is there to make them look good on the floor for their imagined legions of fans who have come to watch them dance. If the band comes down in volume to build anticipation for the next crescendo, these people get impatient and start gesticulating like Zubin Meta before a Philharmonic orchestra. They raise their eyebrows in dismay at our ineptitude. Why can’t we realize their reputations as cute and bouncy party people are on the line? They shake their heads and sometimes stop dancing to put their hands on their hips and stare at us in wonderment, angst forming in the corners of their mouths as they get exasperated. They really think they are going to make us change our approach and style just for them. What they don’t realize is that all four of us are thinking the same thing as we look back at them dispassionately: “Fuck you dipshit!”*

*To my religious readers, please stay on my mailing list, just translate this into Baptist.

Peeve #7: People who think we are their personal request band.”Could you play something by Metallica?” They ask. “Whose that?” I answer with my best puzzled facial expression. “You don’t know Metallica?” They ask in shock, amazement, and feigned pity. You can substitute names like Lynard Skynard, KC and the Sunshine Band, Garth Brooks, Boxcar Willie, etc., it doesn’t matter as I have the same puzzled look for any of them.

“Is Mettalica that girl who wears the armored tits on the old Laugh In show?” I inquire.

“Come on dude, you can do it, I now yer good enough, just try, OK?”

“Really–that good?”

These thimblebrains think we rehearse millions of songs by hundreds of thousands of artists and we can switch voices and styles and special instrumentation at the snap of their fingers. To make matters worse, they come up and ask while you are singing another song or playing a solo, as though you’re just going to stop the whole band and bend down to them, and then in your immediate enlightenment and orders from headquarters, break out into death metal at a blues club.

These people need a brain transplant–doesn’t even have to be a human brain, a tulip bulb would do just fine and keep them from an early death.

Peeve # 6: People who tell you about their uncle. It starts with a compliment about our guitar player, then degenerates into a twenty minute harangue on how good their uncle is. “He played slide with Boots Randolph, man, at the Cow Pie Pavilion in Wichita Falls, 1961–with a lap steel he made out of a push lawn mower…”

Yeah, well, we don’t care about your uncle or your cousin, or even your blessed mother, you goofball. We have twenty people standing in line this break trying to buy our merchandise, we’re signing autographs, we’re trying to get the lazy-ass bar maid to get us the drink of water we asked for an hour ago, we’re trying to restring guitars and fix a broken monitor and we have to pee like the kid in the dunce corner at school, and here you are blithering about your broken-down uncle who’s probably in a nursing home playing slide on his pecker and doesn’t even remember who you are.

Peeve #5: Woman who pull us out on the dance floor. In this day and age of sexual harassment, a man can’t be too careful. That’s why I’d rather deal with an asshole man than an asshole woman any day. See, you can just bop the man on his head or have the bouncer’s throw him fifty feet into a fire hydrant. But an unstable woman is like nitro glycerin. The last thing we want is to see one of these volatile creatures go off on us in public. If a man behaved like that and remembered it the next morning, he’d do the decent thing and shoot himself. But these emotional black hole women call a lawyer and have you arrested. This is after having copped a few uninvited feels and suddenly latched both arms on your protesting body and started backing out on the dance floor like a dog with a rag in its mouth.

Nothing scares me more than this. I’d rather fight a biker with a tattoo of Attila the Hun on his forehead. One time in Greeley, Colorado, one of these unhappy wenches threw an apple at me while I was singing and hit me right in the mmh, mmh, mmh. The apple hit so hard in split in two and hit Andy as well. It took three big men to get her out of the bar while she screamed and kicked, and promised to sue them for touching her parts.

Peeve #4: Guys who run off the women. We have a rule of thumb in our band that one good looking woman in a bar attracts ten guys. A dozen of the gentler sex all wrapped tight in Levi’s and hair spray will fill your bar. That is why they have ladies night, and ladies drink free nights, and no cover charge on ladies night, etc. Now this will make some of you angry, but it’s true nonetheless, I know of bars where the doorman is instructed to evaluate how attractive a woman is and let her in free accordingly. Ugly women have to pay.

Anyway, there is this particular breed of man, closely related to mongrel humping dogs, not hunting dogs, who can single handedly run off all the good-looking women in ten minutes. He needs no help at all and unfortunately there is at least one in every bar. This poor dumb clod deserves to be locked in the town stocks and slapped by every woman who walks by for a year.

He has lines like this: “How come you don’t wanna dance, are you a lesbian?”

If you do dance with him he’ll try to hump you on the dance floor. These disgusting slimeballs who infest our nations dance halls with their greasy gazes must be eradicated. Why do bar owners let them stay inside to soil the atmosphere with their malodorous presence? They can’t possibly ever have a date. Even the women in my previous peeve wouldn’t stand for their obnoxious behavior. Notice that these guys all disappear after about age forty-eight. I think it’s because they masturbate to death.

Peeve # 3: People who come up on stage during a performance. Who are these people? Do they have jobs and function normally during the week? Or do they dwell in their mother’s basement in candle-lit shrines to George Carlin? They just climb up and start talking through the microphone or telling the band what to do. When you kick them off the stage they get mad or act totally shocked that you should treat them this way.

Sometimes they start emceeing the evening, sometimes they sing, sometimes they start telling people to applaud the band and scream out accolades and proclamations. They dance, they try to shake hands, they pick up the spare guitar, they help themselves to the tambourine or a harmonica, and they truly have an image of themselves as being the life of the party, the toast of the town. Women do it too. They are much harder to remove than the guys because you dare not touch any of their parts. The band is at the mercy of the club in a situation like this and most clubs wouldn’t know if Andre the Giant were onstage humping the bass drum. If the band throws these people off and a ruckus arises, then the owners usually blame the band for being troublemakers.

In Twin Falls Idaho, one of these stage crashers got us thrown not only out of the bar, but out of town. We can’t play anywhere in Twin Falls anymore. Now it’s true I did ease the guys pain for awhile, but he was smashing all of our CDs because we wouldn’t let him pull himself up on stage by using Jason’s leg. He then turned around and tried to sue the club and us for harassing him. Believe it or not ladies and gentlemen, this happens frequently. Who are these people?

Peeve #2: Drunken Club Owners. Talk about the blind leading the blind…

We set up for an evening in somebody else’s domain. The club owner is boss of this little realm and unfortunately some of them think it means God. Bacchus, perhaps, but little else smacks of godliness. I truly admire the bar owner who does his drinking in moderation or at home.

We’ve had to deal with owners being the jerk who walks onstage during a performance–then what do you do? We had one guy threaten to not pay us if we didn’t play an extra hour. He demanded free CDs for himself, his wife, and his friends. He ordered us about like deck hands and even told us what songs to play. Another one pulled the plug on us in Cheyenne, Wyoming, and ordered us out of his bar without pay. We had to march into his office and demand payment or else. He wrote a check, wadded it, and threw it at us. We went to his bank at opening the next Monday so he couldn’t cancel it.

We’ve had bar owners change the deal at the end of the night many times, and we’ve been unceremoniously canceled at the last minute as many times. I’d like to be able to remember how many clubs we’ve been kicked out of over the years by drunken club owners who just have to show the world who’s boss. Fortunately, we’ve reached a status where we can pick and choose the clubs we play. We also started a “Fuck You”* fund as well so we don’t have to lose our dignity because we are desperate.

Another problem with the drunken bar owner is the lady owner who thinks she gets the right to your privates because she is paying you for the night. I had one big German lady actually chase me around the room. She looked remarkably similar to Jaws, the giant actor in James Bond who had the steel teeth. She was announcing to the bar what naughty things she was going to do to me. Had she caught me, I’m not sure I could have won the fight. She was picked up for drunken driving later that night. I still have nightmares about that one.

*How would this be rendered in Baptist? The Screw you fund? No, still too rough, how about using the King James and saying “Screweth”? Thine screweth thee fund?” Just having some fun here. Don’t send me a nasty e-mail.

And at last, the number one pet peeve: Bad Blues Society Newsletter authors. I am convinced that there is a school for these people, or at least a class called “Cheese 101 or How to write with inside jokes and parenthetical statements.” If no such class exists, how can diverse newsletters from all over the United States have authors with exactly the same horseshit style of writing?

A reader recently asked me to advise her on writing for her Blues Society newsletter. I sent her what I thought was the perfect example, sure to be published immediately and with great proclaim. I made it up from a collection of actual statements I’ve read, names changed to keep me from being stoned when I come to your town.

“Well howdy blues lovers, buckaroos and buckerettes (har har), and all you out there in blues land who read Uncle Bluzer’s column every couple of blue moons or so (get it? “Blue” moon? Heh, heh). If your like me (and God knows that would be too bad, right Frank?) you ate too much at the old annual blues pig roast again this year (burp), but hell, didn’t we all? Like to thank our blues Aunt, Mable Bluezinski for bringing her bloodhound again this year to clean up the pile of bones Harold was making over by the beer keg (remember Herb, you were there all day (hey, relax, I won’t tell your pretty wife, Hazel))–sorry Harold about Bertram (the Bloodhound) hiking his leg on you, but then it was just recycled beer anyway (har).

Hey folks, did ya get to the Blinddog Smokin’ show out at the Booze ‘n Bluz Club Thursday night? Well, (If I must say so myself) you missed a humdinger. The moon was full and the ladies were out and the music was hot and you should have seen old Uncle Bluzer out there shakin’ a leg (don’t worry honey, I only danced with your sister, (oh hell, I confess, I did put a pair of Blinddog panties on my head and danced with Al Bains, but you know how it goes–he was a perfect gentleman, (harty har)). Hey I’m gone, outta here, sianara, hasta manana, and happy blues trails to all you bluz gurus out there in readerland. By the way, pick up copy of Kenny Wayne’s new CD, that boy ain’t black, but he sure is blue (gotcha!!!!!!!!) Hey the next meeting is down at Herb’s Wiener Bar, bring a deck of cards and an Albert Collins CD (Nothing’ like an Ice cold beer with the iceman, he?). Oops, wife’s calling. I’m history. Uncle Bluzer”

Posted by Carl

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